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You are here: Home / Jazz Lessons / The Secret to Modern Outside Jazz Lines Lesson-Minor
The Secret to Modern Outside Jazz Lines Lesson-Minor

The Secret to Modern Outside Jazz Lines Lesson-Minor

$9.99

Categories: Approach Notes, Jazz Lessons, Modern Improv Tags: approach notes, chromatic lines, enclosures, jazz improvisation, modern improv, playing outside, resolutions, video lesson
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Description

In this new lesson entitled “The Secret to Modern Outside Jazz Lines Lesson-Minor”, I teach you an amazing exercise that really helps an improviser gain a mastery over tension and release, dissonance and consonance, outside lines and inside lines. The process I teach in this video lesson melds chromaticism with approach note lines to create modern sounding lines that weave in an out of the tonality.

In this 45 minute lesson video, I play the soprano saxophone as I demonstrate how to conceptualize this concept as well as how to best practice the material for optimal results.  I demonstrate many of the lines in the 12 page PDF that is included with the lesson to a minor tonality so you can hear how the lines sound with the chords.  I also show you many ways to improvise with the material by thinking of the approach note vocabulary from my book “Approach Note Velocity-Minor” as individual words that you can tie together in countless ways to create even more lines.  To get the most from this lesson you should also get my book “Approach Note Velocity-Minor“.

This is a revolutionary concept that once mastered can really give you modern lines and ideas to use while improvising.   The best benefit to this approach is that once mastered, the improviser feels more freedom to be able play whatever he wants as they will now understand the keys to smoothly resolving any ideas they attempt. (45 Minute Video Lesson, 12 PDF sheets lines in all 12 keys)

 

 

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Lesson Sample

https://public.neffmusic.com/The_Secret_to_Modern_Outside_Jazz_Lines_Lesson-MinorClip.mp4

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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

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