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You are here: Home / Jazz Lessons / The Secret to Modern Outside Jazz Lines Lesson-Minor
The Secret to Modern Outside Jazz Lines Lesson-Minor

The Secret to Modern Outside Jazz Lines Lesson-Minor

$9.99

Categories: Approach Notes, Jazz Lessons, Modern Improv Tags: approach notes, chromatic lines, enclosures, jazz improvisation, modern improv, playing outside, resolutions, video lesson
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Description

In this new lesson entitled “The Secret to Modern Outside Jazz Lines Lesson-Minor”, I teach you an amazing exercise that really helps an improviser gain a mastery over tension and release, dissonance and consonance, outside lines and inside lines. The process I teach in this video lesson melds chromaticism with approach note lines to create modern sounding lines that weave in an out of the tonality.

In this 45 minute lesson video, I play the soprano saxophone as I demonstrate how to conceptualize this concept as well as how to best practice the material for optimal results.  I demonstrate many of the lines in the 12 page PDF that is included with the lesson to a minor tonality so you can hear how the lines sound with the chords.  I also show you many ways to improvise with the material by thinking of the approach note vocabulary from my book “Approach Note Velocity-Minor” as individual words that you can tie together in countless ways to create even more lines.  To get the most from this lesson you should also get my book “Approach Note Velocity-Minor“.

This is a revolutionary concept that once mastered can really give you modern lines and ideas to use while improvising.   The best benefit to this approach is that once mastered, the improviser feels more freedom to be able play whatever he wants as they will now understand the keys to smoothly resolving any ideas they attempt. (45 Minute Video Lesson, 12 PDF sheets lines in all 12 keys)

 

 

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Lesson Sample

https://public.neffmusic.com/The_Secret_to_Modern_Outside_Jazz_Lines_Lesson-MinorClip.mp4

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Testimonials

Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

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