This is a Vandoren tenor sax mouthpiece I picked up in a local music store for a student of mine. I tried a Vandoren T7 and this Vandoren T6 and I liked this T6 quite a bit more on my tenor. It has a long roll over baffle that continues right down into the chamber. […]
Reviews
Approach Note Books and Lessons
“Approach Note Velocity” by Steve Neff Approach Note Velocity is a book that I created for myself so that I could master all the different approach notes in every key. I have divided the book up into sections by key and have written out the exercises so that you can practice them and read them […]
RS Berkeley “Virtuoso” tenor sax review
About 6 months ago I had a new member to my site named Les Silver. Les signed up for online lessons and we exchanged quite a few emails and phone calls talking about my lessons and in our conversations he told me about his saxophone line that he has been developing over the last few […]
LAW Medium Chamber Bright (MCB) .110
This is another LAW mouthpiece by Lawrence Waldron in the UK. It was in the same package as the LCD(Large Chamber Dark) piece. This piece is a MCB(Medium Chamber Bright) piece. It has a roll over baffle that slopes more gradually into the chamber than the LCD piece. This gives it a bit more power […]
Lamberson J8
Here is a Lamberson J8 tenor mouthpiece that I bought a few months ago.
Sugal Super Gonz I 7*
Sugal Super Gonz 7* Here is a Sugal Super Gonz I tenor mouthpiece that I bought off a friend of mine. This is from the mid 90’s and started out as a 8*. I had Brian Powell bring it down to a 7* and clean up the facing quite a bit. I played a Super […]
LAW LCD (Large Chamber Dark) .110
This is another LAW piece from Lawrence Waldron. Every once in awhile he sends me a package in the mail with some pieces to try. These are as great as usual. This one is a LCD(Large Chamber Dark) and has a .110 tip opening. I really liked the sound of this piece. I actually didn’t […]
No USA Florida Link
No USA Florida Link .105 This is a Florida Link I bought off ebay awhile ago. I bought it because it was refaced and the seller didn’t know who had done it. When I saw the pictures I was pretty confident that it was Theo Wanne’s work. I can’t be 100% certain but I’ve had […]
Freddie Gregory Mark II 8* Hard Rubber Tenor Saxophone Mouthpiece
This is a clip of one of my favorite tenor saxophone mouthpieces that I really regret selling. It was made by Freddie Gregory over in Spain, and is a hard rubber Mark II model tenor saxophone mouthpiece. This mouthpiece had one of the biggest sounds of any tenor saxophone mouthpiece I have ever played. It […]
Saxscape Hudson Model .113
Saxscape Hudson Model Refaced by Brian Powell to .113 I received this piece from a friend who wanted me to try it out. It was made by Ken Barry at Saxscape mouthpieces. The person who owned it before me had Brian Powell reface it (I’m not sure why) It has berg like baffle in it […]
Poll of 9 Tenor Mouthpieces
I decided to run a poll for 9 sound clips I just made of my last 9 tenor mouthpieces. I’m having a heck of a time deciding which ones to sell and I figured it would help me to play them side by side and record them. On all 9 clips I’m just playing a […]
100 Top 40 Tunes Every Working Sax Player Should Know
The other day one of my students said he wanted to get out of the house and start gigging and making some money. We’ve been working on standards and jazz improvisation over the last year or so. He asked me if I thought he was ready and we got into a discussion about playing out. […]
Sax Mouthpieces: The Length of the Facing Curve
I’ve been doing a lot of experimentation into different facing curve lengths on my alto and tenor saxophone. On my alto sax, I have been using mouthpieces that were all refaced by Brian Powell to .080 tip openings but with different facing curve lengths. These are what I’ve been using: Florida Hard Rubber Link-20mm facing […]
Free Saxophone Intonation Tracking Graph
I made a video lesson on saxophone intonation where I taught about charting your intonation tendencies of your saxophone by using a tuner. What you do is play naturally for a few seconds and then end on the target note and while holding it turn and look at the tuner. You then put a mark […]
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