• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Saxophone Stuff / The “Reed Geek” Universal Reed Tool

The “Reed Geek” Universal Reed Tool

March 5, 2013 by Steve 4 Comments

Back in December, I was lucky enough to get a Reed Geek “Universal” Reed Tool to try out.  Anyone that has been to my house for lessons has probably noticed the shoe boxes on my shelves in my studio.  These shoe boxes are filled with every reed I have ever tried and not liked in the past 13 years.  I have never had a lot of patience with reeds.  If I  try a brand new one and it is too hard I throw it in the box.  If it is too soft…….throw it in the box.  Too stuffy…….in the box.  As you can imagine, I have quite a bit of money invested in these useless reeds……….

You may ask “Steve, why are you saving them?”  Well, the way I figure it, I will be  getting old someday.  By that point reeds will probably cost 15-20 bucks a reed.  I will be retired and on a fixed income  so I won’t have a lot of spare cash to buy reeds when ever I need them.  I also envision myself having a lot of time on my hands.  So…….while I sit at the beach figuring out what to do with my golden years, I will have all the time in the world to work on my thousands of bad reeds……….

Because I have never really had the patience for reed work, I have never invested in any tools for that purpose up until now.  Besides a reed clipper and some sandpaper,  the Reed Geek is the first reed working tool I have bought and have used.   When I first got it in the mail, I had no idea what it would look like.  When I opened the package I was a bit unimpressed.  There was a little plastic container and inside was what looked like a small long rectangle of metal.  I thought “This is it?”………as I examined the rectangle of metal, I could see that it had some curious and interesting edges on it in different places.  I was a bit skeptical that this thing could do anything but I pushed past those feelings and watched the videos from the Reed Geek website to learn how to use the Reed Geek. (I have provided the videos below for you to check out)

The first thing I tried to do was to flatten the back of a reed.  If you have visited my website before, you know that I love to play and review mouthpieces.  I play hundreds of mouthpieces every year!  When you play a mouthpiece, the reed conforms to the shape of that mouthpieces table and rails.  That’s fine if all you do is play on the same mouthpiece all day, but when you try to switch to a different mouthpiece and use the same reed it can be problematic.  Many times the reed will play horribly on the new mouthpiece.  Many times, it also won’t seal  when trying the suction test on it.  All of the reeds in my shoe boxes have been tried with some mouthpiece I have owned in the past so many of them won’t seal on a new mouthpiece.  This is where flattening the back of the reed comes in handy.  If you can flatten the back of the reed you then can play it on a new mouthpiece and it should work great.

I watched the video and tried scraping the reed back myself.  My first try was unsuccessful and the reed still would not play or get suction.  I figured I had not done it enough so I took the reed off and tried again more vigorously.  This time when I tried the reed it played great!  It got a good seal and I ended up playing it for another week afterwards.  This was a reed that I was ready to throw in the trash because it would not play at all.  I was very excited about this.   I have tried this procedure on  5 other reeds that were warped since then and it worked every time to make the reed playable for me.

GeekBannerVert. - red background

The “Reed Geek” Universal Reed Tool

The next video below shows you how to balance the heart of the reed.  I think this procedure takes a little more art and experience.  I have tried it a number of times and it does indeed get the reed playing better but………so far the reeds I have worked on seem softer to me when I play them afterwards.  I have to find that balance of how much to take off I think.  I also think it would be easier to work on harder reeds as they would become softer and then hopefully be perfect.

Here’s some information on the Reed Geek from the Reed Geek website:

The Most Simple and Effective Tool of its Kind

The ReedGeek® “Universal” Reed Tool was designed to help all woodwind players (both students and professionals),  adjust single and double reeds to achieve better reed performance more simply and accurately than any other reed tool on the market today. It has quickly become an industry leader and is used by the world’s top woodwind professionals.

Although simplistic in appearance, the ReedGeek® “Universal” Tool’s machining is anything but… Utilizing state of the art technology ReedGeeks are made from the highest grade true U.S. steel blends and are heat-treated and machined to tolerances closer than any reed tool available.

Experience the benefits of a truly flat reed

The ReedGeek® “Universal” Reed Tool enhances reed performance by rapidly and accurately flattening reed tables. Other methods for flattening reed tables, are less effective, take longer and produce less consistent results. Within 10 minutes of training, players will notice a dramatic improvement in efficiency (ease of sound production), sonic quality and responsiveness in their reeds. Users of the tool will find more “good” reeds in a box and the reeds will perform longer and more consistently over their lifetime. In effect, the tool more than pays for itself soon after purchase!

More than flattening… A True “Universal” Tool

With its proprietary true edge-retention technology and superior U.S. steel blends the ReedGeek rivals even the most expensive reed knives sold today, with no sharpening required and no dangerous knife blade to slice delicate fingertips. On this miracle bar all edges are created equal and can be used by both single and double reed players as one would use traditional knives to adjust and balance reeds.

The tip of the tool features a gentle proprietary radius that can be used for precision scraping, including balancing the tip, adjusting the heart or other fine adjustments. The radius allows single-point contact for scraping very precise areas of the reed quickly. On each side of the scraper blade, there is a blade designed specifically to adjust or modify the rails of the reed. These blades quickly define the desired rail profile.

 


Getting the best from your mouthpiece & reed…

The two main reasons for poorly performing reeds are:

1. Reed warpage

2. Imbalances at the tip and side-rails (see instruction page)

Most commercial reeds will have or develop lateral warpage of the reed table either from the factory or when the reed comes in contact with moisture. In this defective state, the reed will not seal correctly along the critical area of the mouthpiece. This area extends along the mouthpiece’s side rails to just below where the mouthpiece window and table meet. When the Reed Geek is properly used in daily reed maintenance and reed preparation, the reed and mouthpiece will perform much more cohesively as a unit.  This unit will have the reed positioned snugly against the mouthpieces’ table, side and tip rails creating a temporary vacuum.It is this vacuum and subsequent release (pop) that maximizes the vibration and response of both the reed and mouthpiece, contributing to improved tone quality, articulation, and control.

Newreedgeekpic2

The “Reed Geek” Universal Reed Tool

You can check out the videos below to get more information on the Reed Geek and how to use it.  I think it is a great tool that is small and efficient.  It can fit in your sax case easily and be there for you when you get those reeds in every box that refuse to work for you.  Check out the Reed Geek website for more information and to purchase one yourself.  Have fun working on all those reeds………….Steve

Reed Geek Overview with Dave Sanborn

Flattening the Back of a Reed Part 1

Flattening the Back of a Reed Part 2

Rail Adjustor Scrape Radius Tutorial

Filed Under: Saxophone Stuff Tagged With: clarinet reeds, Reed Geek, reed working tool, saxophone reeds

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarSheridan says

    March 8, 2013 at 11:32 pm

    Steve I also have one of these, hands down, best investment out there for any reed player. the hundreds of dollars saved by having this little investment is sooo worth it!

    Reply
  2. AvatarJerry says

    March 14, 2013 at 1:52 pm

    How can i get one of these?

    Reply
    • stevesteve says

      March 14, 2013 at 3:18 pm

      He sells them on ebay.

      Reply
  3. AvatarAndrew Bowie says

    April 5, 2013 at 4:13 pm

    A must have. Saves me a fortune in reed costs. I adjust a lot, so I need a good tool for this. Where it also scores is after playing a lot on a reed, you give it a gentle scrape both on the back and the front to remove accumulated gunge. This can have a remarkable effect on reed response. Buy one. I have had mine quite a long time and even though the edges are no longer quite as sharp, they still do the job as well as before.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I have NEVER seen material like yours.  Amazing!!
Jerry
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy

Footer

Recent Comments

  • Darin on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • Steve on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • Darin on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • Mitch Paliga on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Steve on Les Becs d’Autan Florida Slant Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026