• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / Macsax Bob Sheppard Alto Saxophone Mouthpiece

Macsax Bob Sheppard Alto Saxophone Mouthpiece

November 12, 2012 by Steve 9 Comments

Today, I am reviewing a new MacSax alto saxophone mouthpiece that is made by Eric Falcon.  I have reviewed a number of other mouthpieces in the past that were made or refaced by Eric Falcon including the LA and FJIII tenor mouthpieces which were both great.  This mouthpiece is the Bob Sheppard alto saxophone model.  The one I’m play testing today has a 6 tip opening which is .078.

Macsax Bob Sheppard Alto Saxophone Mouthpiece

Here is what is said about the Bob Sheppard Alto Saxophone mouthpiece on the Macsax website:

The Bob Sheppard Signature alto mouthpiece is the result of a collaboration between Bob Sheppard and Eric Falcon of MACSAX ®.

Drawing inspiration from the classic New York Meyer Bros., this mouthpiece adds many custom features to meet Bob’s artistic demands. Made from pure hard rubber, the mouthpiece features a classic medium round chamber and an very gentle roll over baffle. The facing curve was designed to allow the player to have great control and flexibility even at the extreme ranges of dynamics.

The result is a mouthpiece with a thick, rich, and vibrant sound at any dynamic.

Available in these facings:

  • 5 (.072”)
  • 6 (.078”)
  • 7 (.083”)
  • 8 (.090”)
Includes a Rico H Ligature and cap.


Macsax Bob Sheppard Alto Saxophone Mouthpiece

The Macsax Bob Sheppard model (I typed BS model at first but that just didn’t sound right………)  looks great.  The facing , tip and rails look perfect.  The baffle has a long and gentle slope  through the chamber to the bore of the mouthpiece.  The mouthpiece has that smell that genuine hard rubber has which is a good sign as I love how “real” hard rubber mouthpiece play usually.

Macsax Bob Sheppard Alto Saxophone Mouthpiece

Now to the playing of the piece…………   I will say first off that all of Eric’s mouthpieces that I have played have been pretty freeblowing.  This mouthpiece is the same.   It is advertized as having a .078 tip opening.  Usually on that tip I will use a 2 1/2 or 3 reed.  Which one I use depends on the curve that is being used.  On this mouthpiece,  I tried a 2 1/2 and it was way too soft.  I then tried a 3 and that still felt too soft.   I then tried a 3 1/2 which are usually too hard on .078 tips for me and that felt just a little soft.  Needless to say, I could tell it is a very efficient facing curve.   If I had a 4 reed I would have tried one of those.  I ended up using the 3 light Rigotti Gold because I liked how that one responded for me.

Macsax Bob Sheppard Alto Saxophone Mouthpiece

The mouthpiece played great for me.  After doing so many mouthpiece reviews, I feel like I’m repeating myself with all the praise but the truth is that there are a ton of great mouthpieces out there today.

The Bob Sheppard mouthpiece leaned towards the brighter side of things for me.  When I first started playing it the first thing that popped into my head was the tone of David Binney.   I have most of Dave Binney’s  recordings and when I was playing this mouthpiece the tone and character of the sound reminded me of his tone and sound.  The high register and a bright singing quality to it.  The low register was fat and thick sounding.  It has beautiful character to the sound.  Lots of projection and power with this mouthpiece.   The intonation was very good also.   I felt like I could be very expressive on the mouthpiece also.

If you like the sound clip and would like to give one of these a try, you can order one on the Macsax website.    There is also a Youtube clip there of Bob Sheppard himself sounding great playing this alto mouthpiece.   Congratulation to Eric Falcon, Macsax and Bob Sheppard for coming up with another great alto mouthpiece.

https://public.neffmusic.com/SheppardAlto1.mp3

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews Tagged With: Alto Saxophone, Bob Sheppard, Eric Falcon, MacSax, sax mouthpiece

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarJack Li says

    November 13, 2012 at 1:07 am

    Hey Steve,
    Just wondering how high is the beak on the Bob Sheppard mpcs?
    Jack Li

    Reply
    • stevesteve says

      November 13, 2012 at 11:14 am

      Jack, The beak is a little higher than my Meyer and Woodstone mouthpiece. I didn’t find it awkward or uncomfortable at all though. The only reason I noticed is that after I played the Sheppard piece I put on the Woodstone and it felt like the beak was lower. I played the Sheppard piece for a few days so I think I got used to it’s beak.

      Reply
  2. AvatarJack Li says

    November 14, 2012 at 2:18 pm

    Hey Steve,
    How would you compare the beak of the Bob Sheppard to the Ted Klum Acoustimax? and how would you compare how they play?
    Thanks,
    Jack

    Reply
    • stevesteve says

      November 15, 2012 at 1:56 pm

      Hi Jack, I don’t have them side by side so I can’t test them next to each other. I can’t remember too much about the beak or playing characteristics of the Acoustimax. Sorry. I’d have to go listen to the sound clip and read my review again which is probably what you have already done. All I remember is I really liked the Acoustimax (but later sold it) and now I really like the Sheppard alto piece. Sorry I can’t be more specific.

      Reply
  3. AvatarJack Li says

    November 18, 2012 at 5:03 pm

    Hey Steve,
    It’s cool, I always get a lot out of your site.
    How would you compare the Bob Sheppard to your Ishimori mouthpiece though?

    Reply
    • stevesteve says

      December 1, 2012 at 1:24 pm

      Hi Jack, The Sheppard alto mouthpiece is a little brighter than my Ishimori. The Ishimori has a fat dense core to the sound. More of a rounder sound I think. Both play great for me.

      Reply
  4. AvatarBrian Friedman says

    January 21, 2013 at 6:34 pm

    Have you tried the macsax D alto sax mouthpiece. If so what do you think of it. I noticed it cost quite a bit less than the Sheppard model. My other question is why a mouthpiece with a .78 tip opening would need a stiff reed? Thanks, Brian F

    Reply
    • stevesteve says

      January 22, 2013 at 1:55 pm

      Hi Brian,
      I have reviewed the Macsax D alto mouthpiece on this site. If you do a search for Macsax in the top right search box it should come up. It’s been a long time since I tried it so I can’t really compare it to the Sheppard mouthpiece (my memory isn’t what it used to be……….) I think the Sheppard alto piece needed a harder reed because of the facing……..that is my guess. Something about the facing curve makes it easier to play a harder reed. Steve

      Reply
  5. AvatarGil says

    August 12, 2013 at 5:35 pm

    Nice! More players just need to find that kind of meat and soul in the sound of an alto.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I have NEVER seen material like yours.  Amazing!!
Jerry
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy

Footer

Recent Comments

  • Dominique on Sakshama Branford Marsalis Model Delrin Tenor Saxophone Mouthpiece Review
  • Alejandro on Theo Wanne Durga 5 Gold Tenor Saxophone Mouthpiece Review
  • Pablo on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Andrew Bowie on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Mitch Paliga on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025