• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto High Baffle Reviews / Drake Vintage Resin Contemporary Alto Saxophone Mouthpiece

Drake Vintage Resin Contemporary Alto Saxophone Mouthpiece

July 14, 2010 by Steve 13 Comments

I’m starting to get overwhelmed by how many great mouthpieces are out there today.  This morning  I received a box from Aaron Drake at Drake Mouthpieces.   I couldn’t open it fast enough.  Inside were 3 brand new vintage resin alto saxophone mouthpieces for me to try.  I’ve been wanting to try these for months now and I was very excited.  The first one I played was this one.  It is the contemporary model and has a 6 tip opening (.080).  It has a high long baffle in it  that scoops into the chamber sort of like a Berg or RPC mouthpiece would.  There’s no edges on the decline of the baffle into the chamber.  The high baffle gives this mouthpiece a brighter, punchier sound that is great for modern playing…………………..

Drake Contemporary Alto Saxophone Mouthpiece

  • Appearance:

The tip and rails of this mouthpiece are perfect. The tip curve matches my Vandoren Java reeds perfectly. The baffle is high and long as you can see in the pictures and is completely even.  The chamber has a smooth horse shoe shape to it that reminds me of some hard rubber Berg Larsen’s and RPC’s  I have played.  I’m not sure what size the chamber is?  It looks to be the same size as a medium Meyer.  The difference is that the baffle extends into the chamber and then slopes down into it.  The mouthpiece as  a nice copper band around the shank end and the engravings on it are neat and nice to look at.

  • Tone:

You can make your own decision from listening to the clip,  but I would place this mouthpieces tone in the brighter end of the spectrum.  It’s not as bright as some other alto mouthpieces I have tried but it’s getting close.  I like the fact that you can back off  of it with your air and it mellows out a bit.  This has a great tone for that modern Sanborn type sound that so many alto players love.  I play a few jazz lines on it also and it sounds great with those also…….just a little brighter to me.  When listening to the clip try to imagine a little bit of reverb and effects on the sound.  I recorded it with no effects to taint the sound but if I were playing this live on a gig I would be sure to have the soundman put some nice effects on this to sweeten it up even more.

  • Intonation:

Intonation was great with this mouthpiece and within normal limits.  My Selmer Reference alto saxophone has a tendency to go sharper on middle D,Eb and E when I play high baffled mouthpieces and it was sharper on those notes.  That’s not a big deal though as I am used to bringing those notes down in pitch anyways.

  • Control:

This was a very easy mouthpiece to play and control. It is very even sounding up and down the horn.  The altissimo notes were much easier on this mouthpiece because of the higher baffle.

  • Volume:

Powerful!  I could feel it when I blew in it. Even at  a medium air flow it was LOUD!  When I pushed it, it was even louder!  I could push as much air as I wanted through this piece.  I actually had to take a step back from the microphone because it was recording so “hot”.

Great job Aaron Drake!  If you are curious about trying Aaron’s mouthpiece you can visit his website at www.DrakeMouthpieces.com for more information.

https://www.neffmusic.com/images/mp3/Drake%20Contemporary.mp3

Filed Under: Alto High Baffle Reviews, Alto Mouthpiece Reviews Tagged With: aaron drake, alto mouthpiece, Alto Saxophone, contemporary, Drake Mouthpieces, vintage resin

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarDerrick says

    August 29, 2010 at 7:22 pm

    Hey you sound great on this mpc! I was wondering do normal alto ligatures fit that piece? Would the FL Ultimate ligature fit on that?

    Reply
    • stevesteve says

      August 29, 2010 at 11:30 pm

      I Don’t have it here anymore. I think I used a Vandoren Optimum on it but I can’t remember 100%. I don’t think it was small. You might want to email Aaron Drake and ask him.

      Reply
  2. AvatarJoaquin says

    February 3, 2012 at 10:01 am

    Hi Steve,
    Congrats on the blog, it’s really interesting and useful!
    Do you know how does this mouthpiece compare to a Vandoren Jumbo Java?
    Which is “brighter”, “harsher”, “huskier”, “edgier” -whatever?
    Thanks a lot, best regards.

    Reply
    • stevesteve says

      February 4, 2012 at 11:24 pm

      I’m not sure. I haven’t played a Jumbo Java in like 14+ years I think. I don’t remember anything about it. Sorry I couldn’t help more.

      Reply
  3. AvatarJoaquin says

    November 4, 2012 at 6:30 am

    Just to contribute something: I finally could compare a Drake Contemporary 7 with a Jumbo Java A45, both around 0.085″. The Contemporary has a more open, more agressive, buzzier and brighter sound, with tons of harsh power. But it’s also easier to control, and responds better, “as it should be”, in every register. It roars like a wild tiger and obeys like a well trained dog. The Jumbo Java is a bit darker, rounder -keeping in mind that both are very bright mouthpieces. Also, there’s a big difference regarding beak design: the Contemporary has a lower profile, thinner beak. If you prefer the traditional, thicker design, go for the Jumbo Java. Thanks again for all the useful info, best regards.

    Reply
  4. AvatarAlex says

    March 12, 2014 at 7:13 am

    Steve I just bought the alto contemporary piece. And the altissimo is really hard on this piece. I currently use Beechler bellite and diamond sometimes and the altissimo is a breeze on those. What do you think?

    Reply
    • SteveSteve says

      March 12, 2014 at 4:53 pm

      Alex, Not sure. I don’t remember having any particular issues with the Drake piece when I tried it. I believe the Beechler is a smaller chamber so maybe you are really used to that smaller chamber. Sometimes going to a larger chamber is a bit of adjustment. Sorry I couldn’t help more. How do you like the tone of the Drake compared to the Beechler in general?

      Reply
  5. AvatarRoberto Jimenez says

    November 25, 2014 at 2:52 pm

    I m actually playing a 7 tip opening Drake Contemporary alto sax piece. I love it! my set up with it is a fibracell #4 reed and I can play it at any volume and register at ease. What a great Mouthpiece!

    Reply
  6. AvatarAndrej says

    March 20, 2015 at 5:32 am

    Hi Steve,

    As always you sound great. I am considering buying this piece from Aaron but am a bit cautious on the tip size. You are playing 6 here while Aaron is recommending 7 to me. I am new to the alto world, but on tenor I usually play pieces between 6* and 7* with 3 soft reeds (either Hemke’s or Rico JS). Do you think it would be hard to play size 7 with, for example, Rigotti 2.5 on alto? The only alto mouthpiece I own is Phil Tone’s solstice 0.76 tip with which I use RJZ 3S reeds. Just bought my alto few months ago, but have been playing tenor for ~11 years. Not a pro, just an engineer who enjoys playing… Thanks!

    Reply
    • SteveSteve says

      March 24, 2015 at 9:58 am

      This Drake Contemporary mouthpiece has a pretty high baffle so I think a 7 is a safe bet for this one. The high baffle balances out the bigger tip opening so it doesn’t seem as big usually. Steve

      Reply
  7. AvatarAndrej says

    March 24, 2015 at 11:37 am

    Thanks Steve! 7 is on the way….

    Reply
    • AvatarVern says

      September 18, 2024 at 4:29 pm

      How did you end up liking it?

      Reply
      • SteveSteve says

        October 28, 2024 at 6:12 am

        It’s a great mouthpiece choice for a modern alto sax sound. All of Aaron Drake’s mouthpieces are excellent!

        Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Leo on Phil-Tone Tenor Mouthpiece
  • Randy Cosby on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Brian at GetASax on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Brian at GetASax on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Steve on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025